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East-West story telling: A compariso...

Long Island University, The Brooklyn Center.

East-West story telling: A comparison of the work of Chinese filmmakers Ang Lee and Zhang Yi Mou.

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	East-West story telling: A comparison of the work of Chinese filmmakers Ang Lee and Zhang Yi Mou./
作者:	Zhou, Lei.
面頁冊數:	30 p.
附註:	Source: Masters Abstracts International, Volume: 46-02, page: 0567.
Contained By:	Masters Abstracts International46-02.
標題:	Literature, Asian. -
電子資源:	Download PDF (下載PDF全文)
ISBN:	9780549278252

East-West story telling: A comparison of the work of Chinese filmmakers Ang Lee and Zhang Yi Mou.
Zhou, Lei.

East-West story telling: A comparison of the work of Chinese filmmakers Ang Lee and Zhang Yi Mou. - 30 p.

Source: Masters Abstracts International, Volume: 46-02, page: 0567.

Thesis (M.A.)--Long Island University, The Brooklyn Center, 2007.

It is about a Comparison Chinese Filmmakers Ang Lee and Zhang Yi Mou, and it is will examine how these styles are different; how Ang Lee and Zhang Yi Mou's educational background and individual experiences influence their story-telling style and how their individual methods of storytelling have diverged from their original intended audiences. I will look at each director within specific cultural contexts, i.e., Chinese and western and cite examples in their past and recent films to demonstrate the apparent migration of Ang Lee from western storytelling toward Chinese storytelling and Zhang Yi Mou's traditional Chinese storytelling toward a more western style of storytelling. I will conclude with the impact of this migration that may affect their futures as film makers.

ISBN: 9780549278252Subjects--Topical Terms:

1000006374
Literature, Asian.

East-West story telling: A comparison of the work of Chinese filmmakers Ang Lee and Zhang Yi Mou.
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520 $a It is about a Comparison Chinese Filmmakers Ang Lee and Zhang Yi Mou, and it is will examine how these styles are different; how Ang Lee and Zhang Yi Mou's educational background and individual experiences influence their story-telling style and how their individual methods of storytelling have diverged from their original intended audiences. I will look at each director within specific cultural contexts, i.e., Chinese and western and cite examples in their past and recent films to demonstrate the apparent migration of Ang Lee from western storytelling toward Chinese storytelling and Zhang Yi Mou's traditional Chinese storytelling toward a more western style of storytelling. I will conclude with the impact of this migration that may affect their futures as film makers.
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