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Film and the imagined image /

紀錄類型:	書目-語言資料,印刷品 : 單行本
正題名/作者:	Film and the imagined image // Sarah Cooper.
作者:	Cooper, Sarah,
出版者:	Edinburgh :Edinburgh University Press,c2019.
面頁冊數:	viii, 199 p. :ill. ;25 cm.
標題:	Motion pictures. -
ISBN:	1474452787 (bound)
ISBN:	9781474452786 (bound) :
ISBN:	9781474452809 (webready PDF)
ISBN:	9781474452816 (epub)

Film and the imagined image /
Cooper, Sarah,1971-

Film and the imagined image /Sarah Cooper. - Edinburgh :Edinburgh University Press,c2019. - viii, 199 p. :ill. ;25 cm.

Includes bibliographical references (p. [179]-190) and index.

Dual vision -- Making mental motion pictures.

"From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship."--

ISBN: 1474452787 (bound)

Nat. Bib. No.: GBB9E2905bnbSubjects--Topical Terms:

172580
Motion pictures.

LC Class. No.: PN1995.9.A8 / C66 2019

Dewey Class. No.: 791.43

Film and the imagined image /
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245 1 0 $a Film and the imagined image / $c Sarah Cooper.
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300 $a viii, 199 p. : $b ill. ; $c 25 cm.
504 $a Includes bibliographical references (p. [179]-190) and index.
505 2 # $a Dual vision -- Making mental motion pictures.
520 # $a "From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship."-- $c Provided by publisher.
650 # 0 $a Motion pictures. $3 172580
650 # 0 $a Film criticism. $3 1000127904
650 # 0 $a Imagination. $3 1000067948
650 # 0 $a Imagination in motion pictures. $3 1000127905