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Images in transition :wirephotos 1938-1945 /

レコード種別:	言語・文字資料 (印刷物) : 単行資料
タイトル / 著者:	Images in transition :/ David Pace, Stephen Wirtz ; [introduction by Mark Murrmann].
その他のタイトル:	wirephotos 1938-1945 /
その他のタイトル:	Wirephotos 1938-1945
著者:	Pace, David.
その他の著者:	Wirtz, Stephen.
出版された:	Amsterdam :Schilt Publishing & Gallery,c2019.
記述:	1 v. (unpaged) :ill. ;30 cm.
注記:	Manipulated photographs originally sent to the U.S. media market during World War II.
主題:	Photography - Retouching. -
国際標準図書番号 (ISBN):	9053309160 (bound)
国際標準図書番号 (ISBN):	9789053309162 (bound) :

Images in transition :wirephotos 1938-1945 /
Pace, David.

Images in transition :wirephotos 1938-1945 /Wirephotos 1938-1945David Pace, Stephen Wirtz ; [introduction by Mark Murrmann]. - Amsterdam :Schilt Publishing & Gallery,c2019. - 1 v. (unpaged) :ill. ;30 cm.

Manipulated photographs originally sent to the U.S. media market during World War II.

Sending a photographic image quickly from one location to another was first accomplished early in the 20th century using the "Belinograph," an apparatus developed by French photographer and inventor Edouard Belin to send photographic images over telephone and telegraph wires. These "Belinograms" were soon referred to as "wirephotos". Wirephoto technology flourished in the 1930s and 1940s, especially during World War II, when newspaper readers were eager for images from the front. David Pace and Stephen Wirtz manipulate and transform wirephotos transmitted during World War II. Beginning with an extensive collection of originals assembled by Wirtz over a period of many years, they scan the images, radically re-cropping and dramatically enlarging portions of the archival wirephotos. Their croppings and enlargements expose the artifacts of the wirephoto technology, the dots, lines, irregularities, and retouchings from the war years. The transformations introduced by Pace and Wirtz not only extend, but also reverse, the intentions of the wartime retouchers: instead of obscuring the dots and lines to create a clearer image, Pace and Wirtz reveal and enhance the dots and lines, exposing the technological processes that produced the images. By exposing the artifacts of wirephoto technology and the actions of the human hands that retouched the images, their work highlights, transforms, and subverts the intention, the content, and the process of these wartime photographs. They raise questions about the technologies of image making and image transmission, the notion of truth in journalism, and the role of propaganda in news photography.

ISBN: 9053309160 (bound)Subjects--Topical Terms:

184424
Photography
--Retouching.

LC Class. No.: TR310 / .P33 2019

Dewey Class. No.: 940.530222

Images in transition :wirephotos 1938-1945 /
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300 $a 1 v. (unpaged) : $b ill. ; $c 30 cm.
500 $a Manipulated photographs originally sent to the U.S. media market during World War II.
520 8 $a Sending a photographic image quickly from one location to another was first accomplished early in the 20th century using the "Belinograph," an apparatus developed by French photographer and inventor Edouard Belin to send photographic images over telephone and telegraph wires. These "Belinograms" were soon referred to as "wirephotos". Wirephoto technology flourished in the 1930s and 1940s, especially during World War II, when newspaper readers were eager for images from the front. David Pace and Stephen Wirtz manipulate and transform wirephotos transmitted during World War II. Beginning with an extensive collection of originals assembled by Wirtz over a period of many years, they scan the images, radically re-cropping and dramatically enlarging portions of the archival wirephotos. Their croppings and enlargements expose the artifacts of the wirephoto technology, the dots, lines, irregularities, and retouchings from the war years. The transformations introduced by Pace and Wirtz not only extend, but also reverse, the intentions of the wartime retouchers: instead of obscuring the dots and lines to create a clearer image, Pace and Wirtz reveal and enhance the dots and lines, exposing the technological processes that produced the images. By exposing the artifacts of wirephoto technology and the actions of the human hands that retouched the images, their work highlights, transforms, and subverts the intention, the content, and the process of these wartime photographs. They raise questions about the technologies of image making and image transmission, the notion of truth in journalism, and the role of propaganda in news photography.
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700 1 $a Murrmann, Mark. $3 1000128059